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It is the elders who detain the traditional
knowledge, although their number is proportionately
ever smaller within the population as a whole. Among
the elders, the most renowned and, at the same time
the most feared, are the shamans who develop a specialized
and esoteric knowledge that allows them to maintain
communication between the social world and the spiritual
world.
In what follows, a brief summary of cosmological
knowledge is presented. Due to the research conducted,
the terms presented are in the Aparai language, but,
whenever possible, Wayana equivalents are presented.
It is worth pointing out that not always are such correspondences
in meaning possible, there being words in one language
that do not have correlates in the other, which comes
to reinforce the linguistic (and ethnic) differentiation
between the groups.
The origin of the world
For the Wayana and Aparai the relations established
with the inhabitants of the forest or the rivers are
very close to those forged with the beings of the sky
and the subterranean world. The earth is conceived as
a kind of round island, surrounded by water, which ends
where the sun sets, in a place inhabited by several
entities that hold up the sky on their backs. In the
past, the sky and the earth were connected by a mountain
or by a vine.
The origin of all peoples is a certain place,
to the north of the East Paru River, in the region near
the Tumucumaque mountain and which, curiously, geographically
separates the three present-day territorial groups.
Between the headwaters of this river and the feeder
rivers of the Parumo, a branch of the Tapanahoni River,
Surinam (where up until a short while ago they had kin),
the Indians mention the existence of a mountain that
separates the two rivers and which seems to correspond
to the mountain that connects the two skies.
There are two overlapping skies: the lower one,
kapumereru, the region of the cirrus clouds, where the
jorokó and the kurumu (vultures) dwell, residence
of the creator hero Mopó; and the upper sky,
kapu, dwelling of Ikujuri and other supernatural entities,
where the stars, Sun and Moon are located. Beyond this
sky, there is a plateau that is connected to the earth,
inhabited by beings "that look like people",
Aparai with dark Brown skin; below the earth, there
is another layer where beings live who do not look like
people, with skin that is like the Aparai, but with
their bodies covered with fur. This world has its own
sun.
The beings that inhabit the lower sky, the jorokó
and kurumu (vultures), have an important place in cosmography.
The vultures are like “people in the sky”,
living in villages like men. The Aparai and Wayana distinguish
various species of vultures, locating them in “villages”
in space, for some people, also located on layers. There
is a myth they know that explains the strong cynegetic
connection with the vultures: thanks to their feathers,
obtained through a system of trade, the men are able
to hunt better. The men, in turn, must leave the rest
of the meat they do not want for the vultures. In their
relation to the jorokó, both their knowledge
and the toponymy are diffuse, and it is in relation
to them that the Aparai and the Wayana are always watchful
and more fearful.
Creator/transformer principle of the universe: ikujuri
Like many groups of the Guiana region, there
is a prevalent belief in a supreme impersonal power,
which does not exercise any direct influence on the
lives of the Aparai and Wayana, and precedes the origin
of the creator heroes. There are two great creator-heroes:
Mopó and Ikujuri (or Kujuli, in Wayana). Both
are responsible for the creation of the beings and elements
of nature and for the present-day composition of the
Cosmos. Once the creation of things was concluded and,
tired of the disobedience of the beings they had created,
these heroes go off to the upper sky, definitively losing
touch with men.
The Aparai associate the "father of the
sky", or the great chief that inhabits the heavens
with Mopó, while for the Wayana it is Kujuli.
The myths attribute to Mopó the creation not
only of the beings and elements of nature, but also
the first artifacts (initially made from clay), the
technologies that were to facilitate the lives of men
and also shamanistic power. Nevertheless, by virtue
of his ambivalent nature, his good intentions are not
always understood, and in the myths he often appears
to be lying or deceiving. Different from Ikujuri, who
in the myth is called by consanguineal kinship terms
("father", "grandfather", "brother"),
Mopó is always called by the term for affine,
kono, which means "in-law". It is worth remembering
that, on the plane of social relations, this is a tense
relation that demands a reciprocal exchange of favors.
We could raise the hypothesis that from this there is
the suggestion that the principle of creation/transformation,
in acting on the natural world (without the participation
of men), does not create a situation of tension or conflict,
while, in acting on the plane of human relations (Mopó
creates the instruments for the men and teaches them
how to transform nature), it engenders states of conflict
or competition. One also notes that, every time a reciprocal
trade is established between men and beings of the universe,
their relationship is marked by terms of consanguinety,
which could confirm the model of social relations predominant
in the Guianas in which the pair consanguinety/affinity
is expressed by a relation of tension/reciprocity.
The term Ikujuri often appears not in noun form,
but in adjectival forms ("that also was ikujuri"
or "he knew how to be ikujuri”), leading
us to conclude that Ikujuri would be more than a “creator
hero”, but rather a quality or “creator
and transformer” principle attributed to several
beings (or even a principle present in the world). In
reality, there seems to have existed more than one creator
hero, more than one Mopó, Ikujuri, or their descendants
who continue their work. The existence of Ikujuri in
the world allowed the elements which are part of him
to be created and constantly transformed (rivers, plants,
animals etc.), which explains the presence of the use
of shamanistic power in the myths in which he appears.
If today humanity does not participate more directly
in this transformation, the world continues to go through
transformations: the jorokó take on animal forms
to attack, the powerful shamans can transform themselves
into jaguars, the beings that inhabit the depths of
the rivers are anthropomorphized etc.
Vital principle: uzenu
Humans are endowed with a triple structure:
the body, punu, its vital principle, uzenu and akuarihpo,
which after death separates from the body. The punu
shapes the perceptible image not only of men but also
of animals, and can be understood as the covering of
the vital principle, which is part of the composition
of the whole organic being (plant or animal). The shade,
omore (omole, in Wayana), is the material projection
of the uzenu. This has the feature of being "volatile",
and can easily be separated from the body.
There are four ways the uzenu can become absent
from the body: during sleep, through the aggression
of a jorokó who voluntarily or, acting on the
order of a shaman, robs it from the body; when the victim
is frightened; or at death. Only the shaman has the
capacity to voluntarily send his uzenu out of his body,
during sleep, in a curing session or even when he wishes
to harm someone. His uzenu causes great fear, for it
is capable of being controlled and killing.
Small children are the most vulnerable to the
loss of their uzenu, for bodily growth is associated
with maturation and strengthening of this principle.
When a person comes into this world, this vital energy
is still in the phase of development, and continues
to form until about three years of age, which coincides
with the motor control of the child. Until this age,
the uzenu is still not totally fixed to the body, and
is dependent on the uzenu of the parents, which explains
a whole series of precautions that have to be obeyed
during pregnancy, post-partum, in the first years of
life and when the child gets sick. It is very common
to watch mothers perform the same gesture with the hands,
along with blowing of the breath, over the body of their
small children every time they fall down. Mothers also
get quite upset at the possibility of their being frightened
and a good part of phytotherapy has to do with infantile
medicine, despite the fact that today, Western medicine
is integrated into the system of personal care.
At death, the uzenu separates completely from
the body, crosses over the ropes of the hammock and
goes up to the sky, definitively losing contact with
men. Some say that after death, it can go to xipahtai,
described as a celestial river, located on a very high
hill to the east. They refer to it as the center of
the world, the good earth at the place where the sun
rises. There no-one needs to work, the houses don’t
have to be remade, it is not necessary to plant, for,
it is a land of plenty and no-one gets old.
Contact with the beings of the forest and the river
Different from the joroko, which are inaccessible,
in nature there are in the waters and the forest, visible
beings, with which simple contact can be fatal. Several
correspond to our zoological classification, others
don’t. The “imaginary” beings are
put on the same plane as those that really exist. To
resort to these fantastic beings is tangible proof that
the human intellect can do without empirical referents
and that mental operations can pre-exist zoological
data. The most feared animals are the jaguars, like
the kaokakoxi (two-headed jaguar), snakes and lizards.
Among the beings of the forest these are considered
the most dangerous, for they never die nor can they
be killed, under penalty of causing some type of evil
action: kaokokoxi ("lizard/two-headed jaguar");
kumepepyimo ("centopede"); kutekute ("black
jaguar that looks like a puppy, but when you play with
it, it grows in size and never dies"); kaikuxi
tymeremy ("spotted jaguar"); kaikuxi kapauimano
("red jaguar"); maracajá ("small
jaguar"); maxipurimo ("big anteater");
iou ("big jaguar"); merimo ("jaguar that
stays on top of a tree"); turupereimo ("lizard/big
snake that exists in the hills, the color of its tongue
is like a macaw feather").
But what differentiates these “dangerous”
beings from the rest? In the first place, their physical
aspect: each one is, or can assume the monstrous form
of its species, indicated by the suffix imo, such as:
arãtareimo (big howler monkey), mekuimo (big
macaco prego – a species of monkey), maxipurimo
(big anteater), etuimo (big woodpecker), kapauimo (big
deer that keeps wasp honey in its throat) etc. In the
second place, all of them are “eaters of people”
or cannibals and, thirdly, they are found in places
where the men also circulate, in the forest and river.
Although they mention the existence of feared birds,
possessed by jorokó, there are no cannibal celestial
beings. As they say, “in the past, birds and fish
were like people. When people see a bird that has been
shot with an arrow, it’s because one cannot kill
it, for everything would become dark. A bird shot with
an arrow has an owner”.
It is, nevertheless, the aquatic world that
has an exceptional place in the life of the group, involving
a knowledge that is quite widespread and described in
many details. In the deepest places of the rivers, there
are, in each hole, zue, various "water beasts",
each of which has its “owner”, and which
at any moment can attack humans. This explains the avoidance
of navigating or taking baths near the deeper places
that every individual can identify near the villages
and surroundings. The physical aspect and size of these
beings are quite varied, for they can assume animal
appearance, or human appearance, or recall the form
of an object. They are called ihpory (or ipo, in Wayana),
and each one is also identified by the suffix imo, which
confers an exacerbated and monstrous aspect to the species
– as occurs with several beings of the forest
considered dangerous. Thus, maxipurimo refers to a large
tapir (maxipuri), that lives in one of the deep parts
of the river. The ihpory only come out of their holes
at night, which are hidden behind the hills, living
in villages at the bottom of the river – villages
which are like those of Wayana-Aparai society.
It is worth noting that while the ihpory, which
are identifiable in space, do not bring sicknesses but
do kill, the jorokó, who have no definite dwelling-place,
inversely cause sicknesses the consequences of which,
however, can be repaired, by curing or avoiding death.
This creates a situation of perpetual vulnerability
of humanity to the attack of malicious beings. In the
case of the sicknesses and misfortunes caused by the
jorokó, these can be repaired or “negotiated”,
and those which are responsible for the harm done will
help in eliminating it. But meeting an ihpory and other
cannibal beings, inhabitants of the forest, is always
fatal.
The death of several ihpory has served as inspiration
for naming various settlements, whose “holes”
today serve as sorts of geographical markers. The origin
of the rituals and all the paraphernalia associated
with them is attributed both to the beings of the forest
and of the waters. However, it is the beings of the
waters, the toponymy of which is known to everyone,
that exercise a more direct influence on daily life.
We should associate this fact with the importance that
the rivers exercise in the dynamics of the life of the
group: from the point of view of territorial occupation
and economic exploitation, the river functions as a
channel of communication among the settlements and with
other territorial and ethnic groups. This explains why
the aquatic world serves as the great socio-symbolic
paradigm.
The controller principle and the relation among
beings
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The world is not thought of in hierarchical
terms and, as has already been said, there doesn’t
exist the idea of a supreme being acting directly on
the lives of humans. The principles of nature with which
men are in contact are not placed in opposition to the
supernatural world, but to intermittent mutual conflicts.
If the idea of a supreme being does not exist and if
all forms of life have the same free will to cause evil,
it is necessary that there exist some principle in the
universe that protects beings from extinction. Nature
has its controllers which are related to men, but there
are different controllers. Thus, there is a controller
principle for each domain and species of nature, which
watches over it and controls it. In relation to the
domains of nature, to edible plants and to game animals,
they refer to their "father", zumy. They speak
of ituzumy, the "father of the forest", tunazumy,
the "father of the water", kanazumy, "father
of the fish", ywizumy, "father of manioc"
(meaning edible plants) and tonsezumy, "father
of game animals". A “chief” or tamuru
is attributed to each species. In this way, for animals
(onyky), they refer to the onykyry tamuru or kaikuxi
tamuru. Kaikuxi, in the Aparai language, means "jaguar",
which among all the animals is the most feared, which
could explain the appropriation of this term to designate
also the “owners” of the animals.
The "time of the ancient ones", or
“mythic time”, is characterized by the time
of the lack of differentiation, when all beings communicated
amongst themselves. Men and animals had the same attributes
and the animal-human metamorphosis was a constant way
of resolving crisis situations, disobedience, abuse,
excess or lack, caused, in the last analysis, by the
conduct of the beings and creator heroes. However, one
day, Ikujuri, tired of such abuses, decides to put an
end to this situation of identity, by creating alterity:
the differentiation between the species, among men (ethnic
and linguistic) and among the living and the dead. From
that time on, the relation between men and animals changed:
the men needed to hunt, fish, and learn how to plant
in order to survive. Several species of the animal kingdom
went on to have their “owner” and, thanks
to them, men can more easily hunt and fish through a
sort of “treaty” of concessions. Before,
the water was the sky, the birds were fish and everyone
fought amongst themselves. These days, when a fish comes
close to the surface of the water, making it possible
to catch it, it means that its owner is away, that is,
the owner is not taking care of its -poetory, or those
that obey the owner of that species. Thus, they say:
“when one sees many fish it is because they are
dancing”. However, if in the dry season there
is an abundance of fish, fishing cannot be done without
certain precautions, for this would cause the anger
of the owners of each species, resulting in sicknesses.
In the forest, in the same way, to be able to hunt an
animal means that the owner of that species has let
it go. They explain: “in the forest, all ipoetory
walk together with their owner”.
Edible plants are associated with the “owners
of manioc", from whom one learns to plant and prepare
food. One cannot forget that manioc is the basis of
the food diet. As for the other useful plants, such
as those used for medicinal purposes, there is no single
entity that controls them, such as "owners",
"masters", "chiefs" or "mothers",
very common in the ethnography of other indigenous groups.
Among the traditional remedies, 90 % are made from plants
and all are controlled by the jorokó.
A very long time ago, in order to deal with
the constant threat of attacks by certain animals, humans
engaged in relations of affinity that immediately after
were “consanguinized": the animals were transformed
into husbands, wives, parents or grandparents. Thus
a myth is told how one day an Aparai man married, without
knowing, a jaguar, whose “people” customarily
attacked them. The marriage put an end to this conflict
and the daughter who was born from this relation gave
rise to the Kaikuxiana (kaikuxi, jaguar) people, who
are considered one of the ancestors of the Aparai.
Besides settling questions of war through marriages,
the animals are sources of knowledge. With some of them,
men learned the songs, dances, graphic motifs, Technologies
of objects, how to cure, hunt, etc. It is interesting
that it is in situations of isolation from social living
that the men learn such knowledge. This is seen in the
narrative on the origin of the great ritual, the festival
of Okomo, which the Wayana and Aparai learn from the
japim (jakakua) bird: while a man is lost in the forest,
he hears and sees this festival and, while he is in
the woods, he becomes related to the animals, eating
with them, having sexual relations, etc.
Thus, in the “mythic” times, the
conviviality of men and animals is marked sometimes
by friendly relations, sometimes by conflicts; sometimes
by reciprocity, sometimes by competition. What distinguishes
this time from the present is the type of communication.
Before, all the beings and elements of the cosmos communicated
amongst themselves and it was this communication that
allowed for cultural transmission, which among the Wayana
and Aparai is done preferably with the animals and it
is about this that they most like to tell stories.
Many myths also tell of war adventures against
the beings that “looked like people, but they
were beasts". Despite the fact that some of these
were peaceful to humans, even so their death is desired.
Such stories refer to the moment when the non-differentiation
among beings was broken and substituted by relations
of alterity, leading to a situation of permanent watchfulness
against possible conflicts. Once this split occurred,
several beings were endowed with the capacity to live
in society while others were not, and those who were
not received the definitive form of animal or plant.
In the same way, only some humans were endowed with
the capacity to see and to visit other worlds, for the
purpose of requesting assistance with the problems of
this world (sicknesses, economic misfortune, social
disorders, etc.), for, those who are responsible for
these problems belong to the other worlds. Having broken
the direct communication between humans and animals,
the relation of reciprocity gives way to one of “negotiation”,
which is mediated by the shaman. Animals are killed
because they are “beasts”, not humans, and
because it is necessary to eat. And when the animals
become food for men, a relation of reciprocal predation
is established among them, to the extent that sicknesses
and misfortunes result, in large part, from the attacks
of those beings.
Destructive/restorative principle: jorokó
Besides the creator/transformer principle, ikujuri,
the universe contains its opposite: the jorokó,
which is capable of materializing in animals and of
taking control of other organic forms, acting on its
own or being manipulated by men. Like the vital principles,
these are present in all domains and feed off the first.
As we have mentioned, on dying, besides the setting
free of uzenu, another specter is let loose from the
body, the akuari'po, or "bad specter of the spirit
of the dead", which "is no good" and
stays on the earth, being able to do evil to humans
. After the uzenu góes to the village of the
dead, the old spirits become new, without sicknesses.
On Earth, in compensation, the akuarihpo remain, which
can cause sicknesses. Akuarihpo is, in reality, a kind
of jorokó, and the Wayana and Aparai explain
that a day will come when there will be so many jorokó
on earth that it will “fall” and the sky
above will come crashing down and so on consecutively.
However, it is necessary to distinguish the akuarihpo
of men and those of the shamans: the first is not endowed
with consciousness and is maintained “alive”
by the desire to feed off the vital principle of individuals,
without distinction; the second is endowed with consciousness
and will and has attained the same superior level as
the other jorokó. In their struggle to control
the spirits, the shamans appeal both to the jorokó
and to the akuarihpo. There are several immortal jorokó
(such as Axiporiê, Wasaimo and others), which
does not happen with the akuarihpo, which can be “dominated”
by the shamans. The shaman’s apprentices can acquire
various akuarihpo and it is admitted that they can incarnate
in certain animals that one should avoid killing. The
destruction of material goods when a person dies is
certainly associated with the fact of wanting to eliminate
whatever material remains that recall its owner and
can attract its akuari'po.
In contrast with the animals, which can integrate
the jorokó in their very being, for humans, to
have jorokó leads to sickness and death. Some
animals are permanent carriers of jorokó, while
others are only temporary receivers. Only the powerful
shamans know how to store them in their bodies, for
"the one who has jorokó is a beast".
When “someone speaks a lot about another”,
"is prone to fighting", that is, he comes
to behave in a way that is against the social norms,
it is because he is possessed by the jorokó,
"he is dirty inside". Today the shamans explain
that they are no longer capable of storing them in their
bodies, but they can dominate them, turning them into
their “helpers” and each one creating a
particular stock of them. The “good” shamans
know where they live and can resort to them when they
need to, whether for curing, or for aggression. In short,
the jorokó is a destroyer principle and, at the
same time, restorative principle, which is an integral
part of the world. It is capable of materializing temporarily
through the living, manifesting itself at death, in
sickness or permanently. They are beings which provoke
fear to everyone: humans or animals which in the “ancients
times", through carelessness or transgression of
the rules, were transformed definitively into jorokó,
birds, beasts of the forest and water.
Thus, men live in a perpetual state of watchfulness
and defense, fearing the attack of cannibal beings,
inhabitants of the forest or the river. But it is in
relation to the jorokó, whose power is diffuse
and invisible that they have the greatest fear. Today,
only the shamans are able to communicate with them and
thanks to their skill in negotiating, they are able
to repair the evil sent and prevent new evil stuff from
being reproduced ad infinitum. Nevertheless, if people
are no longer able to see them, they are capable of
feeling their presence, through physical sensations
in the environment – a strong wind, a brusque
change in weather or any abnormal accident of nature
–, through sicknesses or economic and ecological
misfortunes or social problems (interpersonal conflicts,
fissions in political units, etc.).
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