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The Asuriní assert that Mahira,
'our old grandfather,' was the creator of human beings
and responsible for the institution of order on the Earth.
He co-ordinated the physical arrangement of the world,
with tapir's help hardened the surface of the earth which
was soft; separated the sky from the earth; rescued the
night which was in the possession of owl, etc.
He also contributed to the establishment of
Culture, transmitting basic knowledge to humans, such
as cultivation of manioc, production of flutes and music.
Thus, as an Asuriní man explained: "everything
that was invented by Indians was taught by Mahira."
At the time of origins, Mahira lived in the
village with the Asuriní. There he had a wife
and a daughter. His daughter never succeeded in remaining
married for long since Mahira became infuriated with
his sons-in-law and, smoking his tawari, transformed
them into animals. Such behaviour ended up forcing Mahira
to move away from the village, since the humans became
extremely angry with him.
Finally, the Asuriní started to plan
to kill Mahira and he decided to return to the sky:
"There was an enormous storm, strong winds and
rain, and he was lifted up. He tried to hold onto a
tree stump to prevent himself rising, then another,
until finally the wind caught hold of him. He then let
go of his arm and he was carried away." It was
after Mahira's return to the heavens that the first
sicknesses appeared among humans; previously no-one
had become ill and there were no shamans.
Today, Mahira and his wife live in the sky,
in a place called Tapana. This is also the same place
where the dead go: "whoever dies builds another
house there, people say there are many. Whites also
go there. There every caboclo who died also lives."
According to the Asuriní, the place where Mahira
dwells also has a sky, sun and moon: "it has everything
that we have here. There are game animals above, Mahira
hunts. There are many people there above, swiddens too,
it has everything."
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And from there above, Mahira continues to
follow the life of humans on the Earth, continuing to
fulfil his role as Creator. As already seen, Mahira
is the father of all the Asuriní. He not only begets
all children, he also takes zealous care of his offspring.
Thus, if a child is continually maltreated by his or her
mother, Mahira 'lets her ascend:' he makes her
ill, die and go to live with him. As he 'likes' his children
so much he stops them from being maltreated. Therefore
Mahira has the power and life and death over humans.
And their life is nothing more than a circle that begins
and ends with Mahira: humans are born from him
and go to live with him after death.
The Asuriní conceive the supernatural
world to be divided into two independent spheres: that
of Mahira and that of Sawara (the Jaguar-spirit). Mahira's
domain relates to the cycle of life and death, the biological
reproduction of humans: it is associated with the sky
and with women - the only people on the Earth who maintain
a relationship with Mahira, through sexual acts taking
place in dreams. The sphere of Sawara relates to shamanism
and the belief in the possibility of the rebirth of
shamans; it is associated with the forest and the male
universe.
Shamanic activity among the Asuriní is
fairly intense and has a great deal of importance. For
a man to become a shaman it is necessary for him to
traverse a path filled with dangers in his dreams until
he reaches Sawara, the Jaguar-spirit. It is by contacting
Sawara that he will receive the Karowara and thus the
power to cure sickness.
However, for this dream to become concrete the
apprentice must undergo a lengthy process enabling him
to deal with the supernatural forces and improve his
knowledge concerning myths and music. The core phase
of this apprenticeship is the tobacco festivals, where
the novices are brought into contact with the Karowara.
These rituals also contain moments dedicated to learning
the mythic histories and songs, recited and sung by
the shaman. This procedure complements a process informally
started in each individual's house, where it is possible
to hear parents and grandparents telling "stories
of the ancient past".
The tobacco festivals are co-ordinated by a
shaman. It is he who decides the moment for them to
be performed, very often in response to a request from
another man wishing to dance. According to the Asuriní,
the shaman is concerned to ensure that the men dance
from time to time so "not to forget."
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The shaman is the specialist responsible for treating
illnesses provoked by the Karowara. However, Asuriní
aetiology also combines another category of infirmity
whose cure is not restricted to the shamanic sphere, although
they should also be familiar with the technique involved
in these treatments. It is not this knowledge that qualifies
the individual to act as a shaman, but a good professional
should seek to be fully acquainted with these procedures.
On the other hand, this knowledge is a source of prestige
for other Asuriní and in general it is older people
who possess it.
Asuriní aetiology distinguishes, then,
two basic categories of sickness. On one hand, those
that result from contact with the Supernatural (the
Karowara sicknesses) and on the other hand all the other
known diseases. Included in this second class are those
classified as "White/Christian sicknesses"
(influenza, measles, pneumonia, chicken pox, etc.),
which should be treated in the FUNAI infirmary or the
hospital in the city of Tucuruí. When the shaman
diagnoses a disease in this subcategory, he recommends
that the patient seeks out the nurse, who in fact "only
really know how to cure this type of sickness."
Figuring alongside the 'White illnesses' in
this second category are afflictions cured with medicinal
plants. These diseases are usually diagnosed and treated
within the family setting by the sick person him or
herself (when an adult) or by a close kinsperson. The
use of such plants is fairly widespread, although older
people have accumulated more knowledge in this area.
The Asuriní cite recipes for curing a
large variety of illnesses, such as: malaria, fevers,
toothaches, headaches, tocandira ant wounds, worms,
snake bites, dysentery, coughing, spider bites, cuts,
wounds, earaches and throat sores. The method of employing
the plants is also varied: leaves, stems or the liquid
extracted from the plant may all be used. The plants
may be applied directly on the body where the pain is
located. Otherwise, a bath is prepared with the leaves,
or the plant is cooked in water for the patient to ingest
the liquid.
It is common for sick people to resort to these
home-made remedies before seeking the shaman's help.
If the affliction is not cured by this treatment, the
family concludes it may be a Karowara sickness and resorts
to the shaman for a diagnosis; this is fairly usual
in the case of headaches and fevers. On the other hand,
the use of medicinal plants does not eliminate the simultaneous
use of remedies supplied by FUNAI, especially if the
sick person is a child.
The Karowara are an important supernatural force
circling between humans and supernatural beings, through
actions involving co-operation or aggression. The Karowara
are equally a source of power for shamans (who deliberately
contain them inside their bodies) and the cause of sickness.
In the latter case, the Karowara are projected
into humans by the Takwitimasa, a category of supernatural
beings dwelling in the forest. One reason mentioned
for this aggressive procedure of the Takwitimasa against
humans concerns the latter's aggression against animals.
Thus, the Takwitimasa are said to throw Karowara at
humans when the latter mistreat animals.
Shamans have the power to remove the Karowara
inserted by the Takwitimasa into humans, as well as
the ability to place them inside their own human bodies
during the process of training a shaman.
As mentioned above, the acquisition of this
power depends on a third form of receiving Karowara
via the Jaguar-spirit (Sawara). At the same time, it
is the relationship with this spirit which will confer
the man with the potential for resurrection.
The Asuriní believe that if the shaman's body
is buried in compliance with particular procedures,
whose execution falls to the responsibility of women,
he will be resuscitated. Rebirth is the ideal fate for
men.
This possibility does not apply to women: at
death they must go to Tapana, where Mahira is found.
Female existence obeys, then, a cyclical movement that
starts and finishes with Mahira.
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