::01 |
 |
The Ye´kuana conceive of the universe
as being comprised of two parallel planes : caju
(the sky) and nono (the earth). In nono,
the lower plane of the universe, the supernatural was
long ago neutral (or at least its manifestations were
unknown to the inhabitants of the earth). Then the Sun
father let three magical eggs fall down. The first two
opened and from them came Wanadi, a mythical
culture hero, and his brother. The third did not break
open, but was smashed and deformed. Wanadi then
threw it into the forest. With this second fall, the
egg opened and Cajushawa, full of resentment
and hatred, appeared on earth and turned into the negative
manifestation of the supernatural. Since then the people
of Cajushawa (the demons or odosha) have proliferated
over the earth, dominating the invisible reign of the
earth. In contrast, Wanadi, the benevolent expression
of the supernatural, after having lived on the earth
for a time during which he struggled against Cajushawa,
left the earth in the hands of people, the Ye´kuana,
and it is up to them to fight against the demons.
::02 |
 |
The makeup of the earth has at its center
an internal circle of water called dama (the sea), which
is surrounded by another circle, nono (the earth properly
speaking), which has arteries of water, tuna (the rivers
which come from the sea). Surrounding the earth there
is another circle from which reclined bolts emerge which
are the pillars that hold up the sky. This space is
called caju wowaö´ña, or literally
« the paws of the sky ». Besides holding
up the sky, caju wowadö´ña is the
limit of the reign of Cajushawa. The villages
to the east it is said belong to caju wowadö dawono
(the lower part of caju wowadö). To the east there
are innumerable waterfalls very difficult to reach that
begin on the earth, run underland in caju wowadö´ña
and reappear in the sky in the form of calm water. When
Cajushawa pursued Wanadi, he was not able
to cross over these waterfalls and had to stay on earth.
::03 |
 |
Caju (the sky), the upper plane of the universe,
is divided into eight layers, which are the reigns of
the jöwai. The villages of Wanadi and the
Sun are located in an inaccessible place of caju, concentrated
in a single place beyond the world in which the visible
beings (the Ye´kuana) and the invisible beings
(the demons of Cajushawa) unceasingly
compete, and the balance between the positive and negative
forces is very unstable. Living in this place, Wanadi
is completely distant from the problems of the earth.
The geography of the universe and the geography of
the roundhouse are marked by a great similarity. But,
more than that, the roundhouse can be understood as
a replica of the cosmos: its parts correspond to each
of the significant divisions of the sky and earth. The
annaca (or internal circle) corresponds to dama (the
sea in the center of the world). The next circle which
makes up the earth (nono) corresponds, in the roundhouse
to the äsa (the compartments/ sleeping quarters).
On the edges of this second circle are the pillars which
hold up the roof. The larger beams are called sirichäne,
which literally means « support for the stars
». In the Ye’kuana concept of the universe
this space corresponds to caju wowadö´nã,
or « the paws of the sky ». The cone-shaped
ceiling of the roundhouse, in turn, is shaped like the
representation of the upper plane of the universe, with
the tip being the dwelling-place of Wanadi and
his father. In the roundhouse, there is a window in
the ceiling that opens to the east, in the direction
of Wanadi.
Besides the demons, odosha, there is another form through
which the supernatural manifests itself in a negative
way. According to the Ye´kuana, the life systems
(animal and plant, for example) have invisible equivalents
or « owners » in the invisible world. When
the Ye´kuana affect the visible manifestations
of these beings – in hunting an animal or cutting
down a tree, for example – they bring about an
imbalance in the invisible world. The invisible forces
then react, causing misfortune, sickness or death to
the aggressors. To deal with this problem, the Ye’kuana
perform rituals prior to using certain products of nature,
like forest fruits, game animals, resins (for example,
the caraña which is used in body painting) etc.
These products are « blown over »[that is,
with tobacco smoke and orations] in order to drive away
the supernatural force that is found stuck in them.
|