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A first marriage occurs when the girl is around
11 to 13 years old and gives up her virginity to the
man whom she likes. Nevertheless, she is not definitively
married until she becomes pregnant and gives birth to
a child. Before 1975, marriage was practically indissoluble,
but nowadays, when a man leaves the house, which is
frequent, it's called "divorce of the children".
During the seclusion, which lasts some 40 days
after birth, the woman calls her "other husbands"
to take part in the ritual together with her effective
husband. As she could have practiced serial, cerimonial
sex with several dozen men during pregnancy, she identifies
from one to four of these "other husbands"
as those who contributed with a sufficient quantity
of semen for the formation of the fetus. These men should
observe food and sexual restrictions in such a way as
to favor the growth and health of the child. If not,
the life of the child is put at risk. Presently, there
is no longer identification of these other husbands,
but the belief persists. Consequently, in order to guarantee
the health of the baby, another principal "husband"
is secretly advised about the necessity of observing
food and sexual restrictions, without his actual wife
knowing anything about his transgressions.
The children are raised in the house of the
mother and mother's sisters and all her children. Before
more intense contact with Western patterns of sociability,
it was common for the woman to leave her children with
her mother or one of her sisters while she would be
off on a love affair.
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In this way, formal friends could have sexual
relations. This activity was so widely practiced that
it constituted a very common form of recreation. Extra-marital
sex was allowed to everyone - except consanguineal relatives,
formal friends, and certain affines - during its serial
practice, as the innumerable annual festivals required.
Thus, depending on the occasion, a group of ten to 80
men could have sex - one at a time - with a group of
two to eight women. Among individuals, publicly or privately,
to refuse the sexual desire of a man was difficult,
for such an attitude was seen as selfish and anti-social,
and even mean. Men and women thus had to be generous
as much with their bodies as with their few possessions
such as baskets, bows, arrows and food.
Kinspeople (such as uncles and nieces, or aunts
and nephews) who did not live in the same house, and
had no name-ties or prescribed behavior, played and
joked when they met. However, very distant kin could
break the incest tabu and then treat each other like
"spouses". Nevertheless, this uncommon sexual
generosity was totally lost in the mid-1980s, as a result
of the intensified contact with non-Indians and when
industrialized goods came to be more easily acquired
and strongly desired. The old times of pleasure were
thus lost due to sexual jealousies on the part of the
husbands.
In the social sphere, the Canela have five systems
of moieties and, exclusively among males, six groups
of the central plaza, five ritual associations, two
hierarchical orders and five groups of men who are of
inter-tribal origins. The women do not have associations,
but almost all of the masculine groups have two girls
selected as members of these male associations. The
women get their own force in relation to the men through
the control of their families and extensive kinship
networks.
Although the power between the sexes was balanced
in favor of the men, the situation of the women grew
in strength in the latter half of the XXth Century.
Today the women can also be painted on the central plaza
like cerimonial chiefs. The power of the men is best
considered when orders and initiatives come from the
chiefs and the elders. Male power has its basis in the
meetings on the plaza and affects all the members of
the village. In compensation, the power of the women
is demonstrated exclusively within the house, through
the control over the distribution of food to all the
inhabitants of the village.
Although the power between the sexes was balanced
in favor of the men, the situation of the women grew
stronger in the latter half of the XXth Century. Today
the women can also be painted on the central plaza like
cerimonial chiefs. The power of the men is best considered
when orders and initiatives come from the chiefs and
the elders. Male power has its basis in the meetings
on the plaza and affects all the members of the village.
For their part, the power of the women is demonstrated
exclusively within the house, through the control over
the distribution of food to all the inhabitants of the
village.
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